Journal of Art and Civilization of the Orient

Volume & Issue: Volume 14, Issue 52, Summer 2026

Number of Articles: 7

Viewpoint/Editorial

Iranian Civilizational Continuity and the Progressive Logic of Space

Pages 5-5

https://doi.org/10.22034/jaco.2026.246555

Reza Kasravi

Research Paper

The Mediating Role of the Ottoman Empire in Transferring Western Artistic Modernity to Qajar Iran: A Comparative Study of Artistic Transformations in the Eighteenth and Nineteenth Centuries

Pages 6-13

https://doi.org/10.22034/jaco.2026.563816.1505

Neshat Farrokhi, Fereshteh Rahmani

The Autopoietic Feedback Loop,Rethinking Performer–Audience Interaction in Theatre, from Bharata and Zeami to Erika Fischer-Lichte

Pages 14-23

https://doi.org/10.22034/jaco.2026.559054.1504

Morteza Ghaffari, Majid Sarsangi, Behrooz Mahmoodi Bakhtiari

Representations of National Identity in Cultural Heritage(Iran from the First to Fifth Centuries AH)

Pages 24-35

https://doi.org/10.22034/jaco.2026.544006.1494

Hossein Bani Fateme, Mohammad Abbaszadeh, Mirdavood Hashemi

The Evolution of Contemporary Iran’s Musical Vocabulary in the Context of East-West Civilizational Interaction

Pages 36-45

https://doi.org/10.22034/jaco.2026.556515.1502

Mansoor Habibdoost

Typology of Javāb-e Āvāz in Iranian Classical Music Through a Formalist Reading Based on Defamiliarization(Case Study: Instances of Javāb-e Āvāz in the Album Nawā: Morakkab-Khāni)

Pages 46-53

https://doi.org/10.22034/jaco.2026.547682.1496

Hossein Khoshchehreh Ziba, Simin Azaripour

Examining and Identifying the Components of Self Taught Expression in Qajar Coffeehouse Paintings

Pages 54-61

https://doi.org/10.22034/jaco.2026.551402.1499

Parisa Golaghaei, Javad Aghajani Keshteli, Mahmoud Ashari, Hojatollah Amani

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Journal of Art and Civilization of the Orient

Viewpoint/Editorial

Iranian Civilizational Continuity and the Progressive Logic of Space

Research Paper

The Mediating Role of the Ottoman Empire in Transferring Western Artistic Modernity to Qajar Iran: A Comparative Study of Artistic Transformations in the Eighteenth and Nineteenth Centuries

The Autopoietic Feedback Loop,Rethinking Performer–Audience Interaction in Theatre, from Bharata and Zeami to Erika Fischer-Lichte

Representations of National Identity in Cultural Heritage(Iran from the First to Fifth Centuries AH)

The Evolution of Contemporary Iran’s Musical Vocabulary in the Context of East-West Civilizational Interaction

Typology of Javāb-e Āvāz in Iranian Classical Music Through a Formalist Reading Based on Defamiliarization(Case Study: Instances of Javāb-e Āvāz in the Album Nawā: Morakkab-Khāni)

Examining and Identifying the Components of Self Taught Expression in Qajar Coffeehouse Paintings

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