Landscape is complex meaning that is always the center of attention in arts and cinema and emergence of artistic expression. From classical to contemporary cinemas, architecture and urban themes has a variety of attractions for filmmakers. Classic Indian cinema is more relevant to daily life and Director was only in the roll of witness of events and reality in urban scenes and had no struggle to perform at urban pictures. This cinema is still popular. But in the process of modernization affected by global developments, other approaches formed in Indian cinema. In the modern period, Indian cinema is not only indifferent to the city and the place scale of the film is more extensive and the cities became main port in story structure. here major part of scenes taken in outer space and place characters of films such as film`s geography become important So that if you remove the geography of film, becomes incomplete and unclear. Cinemas in this approach, have belongs to a particular urban location and a conceptual view of the surrounding elements. They are real or dreamy. Today Cinema of India in terms of the place interpretation has not fixed approach and generally transition from the stereotype and entering the modern period.
This study is Fundamental research with qualitative _ interpretation methods. Information required by this article has been collected through field observations, literature documents and authentic films. With presume fundamental relationship between cinema and the city, and dramatic relationship between urban space and cinema, the results of place study in Indian cinema can help create a fields for understanding the contemporary landscape and make evolving landscape.
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