Analysis of Northern Khorasan’s Kurdish Women’s Clothing in Layin

Volume 13, Issue 47
Spring 2025
Pages 28-41

Document Type : Review

Authors

1 M. A in Fashion Design, Department of Fashion Design, Faculty of Art and Architecture, South Tehran Branch, Islamic Azad University, Tehran, Iran.

2 Assistant Professor, Department of Fashion Design, Faculty of Art and Architecture, South Tehran Branch, Islamic Azad University, Tehran, Iran.

Abstract
Clothing plays a significant role in preserving the cultural and identity values of any region. This study focuses on the clothing of Kurdish women from Northern Khorasan in Layen, located in Razavi Khorasan province. These garments represent one of the oldest forms of Kurdish women’s clothing in Khorasan. In the current tumultuous modern world and the transition from tradition to modernity, these clothes are now only worn during ceremonies and festivals. Understanding the cutting and sewing techniques of traditional clothing, which are rooted in the cultural and identity aspects of each ethnic group, can help prevent their obsolescence and pass this indigenous knowledge to future generations. This study examines the processes of cutting and sewing these garments, illustrating a broad design and classifying the components of the aforementioned clothing for preservation. Consequently, this study is descriptive-analytical, with data collected through fieldwork (interviews and observations) and archival information. The results indicate that the components  of clothing of Kurdish women from Northern Khorasan in Layen can be categorized into “Bady Garment,” “Outer Garment,” and “Head Covering,” including “Pacheh,” “Zir-Pirahan (in English underdress),” “Pirahan (in English  dress),” “Niv-taneh,” “Kole,” “Shal,” and “Shar.” Local tailors of Layen’s Kurdish community do not use pre-drawn patterns; instead, cutting is done directly on the fabric. The cuts are simple, avoiding complexity and waste.

Keywords

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