Analysis of the Role of Rakhsh in the Narrative Structure of Rustam’s Seven Labors with Emphasis on Narratology (Case Study: Qarajaghay Khan Shahnameh)

Volume 12, Issue 46
Winter 2025
Pages 6-15

Document Type : Research Paper

Authors

1 Associate Professor, Department of Painting and Sculpture, School of Visual Arts, College of Fine Arts, University of Tehran, Tehran, Iran.

2 Ph.D. in Art Research, School of Visual Arts, College of Fine Arts, University of Tehran, Tehran, Iran.

Abstract
Since narratology is considered an interdisciplinary field and is used in various contexts, it can also be applied to the analysis of works within the realm of visual arts. As evidenced by the study of Persian miniatures, they exhibit characteristics that make narratological analysis feasible. Indeed, the strong connection between miniature and text, especially literature, enhances this realization. It seems that the epic poems of Shahnameh have played a significant role in the emergence of Persian miniatures, which have been depicted throughout various periods. In this regard, the present research is an attempt to understand to what extent Persian miniature is influenced by the artist’s personal taste and understanding of the narrative, and to what extent court commissions have impacted the formation of these artworks.
This study aims to explore the evolutionary trajectory of meaning in paintings related to the theme of Rustam’s Seven Labors in the Shahnameh through the lens of narratology, elucidating the role of the miniaturist in this context. 
The present study employs a descriptive-analytical research method. Two miniatures titled Lion” and “Rustam’s Third Labor: Dragon” from Qarajaghay Khan Shahnameh (Windsor) have been selected as case studies. The data for this research was collected through library research, and organized to address the research questions.

Keywords

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