A Critical Review and Analysis on the Structure and Content of the Article Entitled: “Formation of Space as a Result of Conceptual Alignment of Music-Math and Architecture” Case study: The entrance and Dome Shaped Roof of Sheikh Lotfollah Mosque Isfahan

Volume 9, Issue 33
Autumn 2021
Pages 11-20

Document Type : Research Paper

Author

Master of Arts Research, Professor of Music, IRIB University, Tehran, Iran.

Abstract
Man created art to use it as a means to express his sentiment and convey it to others. Along with this, according to theories and the views of philosophers, the aesthetic and its achievement, which is the sublime state, has always been the main concern of an intelligent man. Human has also been interested to know how to think beautifully and observe the beauties while re-creating them with the help of creativity and techniques.
Visual arts and architecture have been a manifestation of man's imagination in artistic creation. Apart from them, music is the only abstract phenomenon that does not rely on visual aspects and preliminary perception. Consequently, it turns to be a mystic phenomenon in which having secondary knowledge for its appreciation, is a necessity. Naturally, by its structural features, music may seem to be adaptable to other phenomena which have a kind of engineering in their scheme, but with a deeper observation, we would understand that such adaption is heterogeneous. This study attempts to provide a critical review and analysis of the structure and content of an interdisciplinary article on architecture and music, which tries to bring these two arts together by overlapping specific examples and connect form and content. In doing so, it has given more priority to the emotional aspect than scientific and academic research. This has resulted in gross faults in explaining the theoretical foundations and verification of the aforementioned evidence has reduced the credibility and reputation of the article.

Keywords

  • Aminzadeh, S. & Fouladi, V. (2015). Mosighi va memari [Music and Architecture]. Scientific and Research Congress of New Horizons in Civil Engineering and Urban Management Culture, Tehran, Iran.
  • Azadbakht, S.S. & Sharifzadeh, M.R. (2013). Auditory Effects of Music on the Creativity of Modern Painters with Subjective Inclination. Naghshmayeh Quarterly, 5(15), 63-77.
  • Faghiri, N., Labibzadeh, R., Khakbazan, M. & Kaboudarahangi, M. (2017). The Interaction of Music and Traditional Architecture from the Persian Gardens and knowledge-based Architecture Perspective,“National Conference on Knowledge-based Architecture and Urbanism, Tehran, Iran.
  • Holder, B., Geravet, J. P., Palisca, J.D. & Kelaved, V. (2016). A history of vestern music. Tehran: Nik.
  • Jamshidi, M. & Jamshidi, M. (2013). Eshterakat-e memari va mosighi. abzari monaseb baray-e khalgh-e asar-e mamari va mosighi [Commonalities of Music and Architecture, A Suitable Mean for Creating Music and Architecture Works. Humanized Architecture and Urban Planning National Conference, Ghazvin, Iran.
  • Nemo, Ph. & Vakili, A. (2009). Philosophy and music. Information of Wisdom and Cognition- monthly, (12), 10-13.
  • Omidvar, M. & Doulatabadi, F. (2018). Taamol-e mosighi va memari va nemone-ha-ye moredi-ye khane va mosighi dar Iran va jahan [The Interaction of Music and Architecture/Case Study: The Music House in Iran and the World]. “Conference On Civil Engineering, Architecture and Urbanism of the Islamic Countries,
  • Ormawi, S. (2006). Al-Risalat al-Sharafiya (B. Khazrai, Trans.). Tehran: Academy of Art Publication.
  • Parham, Sh. (2010). Barresiy-e tasir-e mosighi va riyazi dar naghashi-ha-ye vasili kandiski [A Survey on the Impact of Music and Mathematics in Wassily Kandinsky Paintings]. Unpublished MastersThesis, Alzahra University, Tehran, Iran.
  • Plato’s. (1957). Four Volumes Collection (M.H. Lotfi, Trans.) Tehran: Kharazmi Publications.
  • Pourtorab, M.K. (2013). Teori-ye moshghi [Theory of Music]. Tehran: Chang Publication.
  • Salimifard, N. & Pakdel, M.R. (2016). Moghayese-ye tatbighi-ye mafhom-e harekat dar memari va mosighi [A Comparative Study on the Concept of Motion in Architecture and Music]. International Conference on Architecture and Art Applications, Ghazvin, Iran.
  • Shahmiri, A. (1970). Seda shenasi-ye mosighi [Music Phonology]. Tehran: Kharazmi Publication.
  • Tokhmchian, A., Gharebegloo, M. & Nejhad ebrahimi, A. (2017). Formation of Space as a Result of Conceptual Alignment of Music-Math and Architecture Case study: The entrance and Dome Shaped Roof of Sheikh Lotfollah Mosque Isfahan. Islamic Architecture Research Quarterly, 2(5), 108-129.
  • Young, J., Bancroft, J.& Sanderson, M. (1993). A Musi-Tecture: Seeking Useful Correlation between Music and Architecture. Music Teacher Music Journal, 3 (7), 247-258.