<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Recognition and analysis of decorative element of crenels in native architecture of Morocco</ArticleTitle>
<VernacularTitle>Recognition and analysis of decorative element of crenels in native architecture of Morocco</VernacularTitle>
			<FirstPage>5</FirstPage>
			<LastPage>12</LastPage>
			<ELocationID EIdType="pii">67355</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67355</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Danesh</FirstName>
					<LastName>Taherabadi</LastName>
<Affiliation>M.A. in Architecture</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract>The use of the crenel element in decorative way in the post-Islam art in Morocco is so vast that it can be observed with a position similar to its operational function (placed at the top of a decorative rhythm) in all of the Moroccan decorations.&lt;br /&gt;Although crenel is used in architecture of other parts of the world in operational and sometimes decorative way, but the redundancy and extensiveness of the crenel’s function in the post-Islamic decoration and art shows the specific importance of its role in Morocco’s art. Based on field researches and studying the post-Islamic art in Morocco, this study looks to firstly, prove that crenel is one of the most useful decorative indicators in Morocco, and secondly reach the ruling atmosphere of Morocco’s post-Islam society by library and field researches in field of history and prove that the cause of Morocco’s civilization thrive and its advantage on Andalusia is gaining access to the ability of self-defense and providing security for its cities. In another words, military and defense capability is one of the important and considerable achievements of Morocco’s society that attracts the attention of Moroccan artists to the element of crenel and it has manifested in the function of crenel in decorations.</Abstract>
			<OtherAbstract Language="FA">The use of the crenel element in decorative way in the post-Islam art in Morocco is so vast that it can be observed with a position similar to its operational function (placed at the top of a decorative rhythm) in all of the Moroccan decorations.&lt;br /&gt;Although crenel is used in architecture of other parts of the world in operational and sometimes decorative way, but the redundancy and extensiveness of the crenel’s function in the post-Islamic decoration and art shows the specific importance of its role in Morocco’s art. Based on field researches and studying the post-Islamic art in Morocco, this study looks to firstly, prove that crenel is one of the most useful decorative indicators in Morocco, and secondly reach the ruling atmosphere of Morocco’s post-Islam society by library and field researches in field of history and prove that the cause of Morocco’s civilization thrive and its advantage on Andalusia is gaining access to the ability of self-defense and providing security for its cities. In another words, military and defense capability is one of the important and considerable achievements of Morocco’s society that attracts the attention of Moroccan artists to the element of crenel and it has manifested in the function of crenel in decorations.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Morocco</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Decorations</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Crenel</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Decorative indicator</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Motif</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67355_bd47190364d527b71e2285d511871036.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Public spaces liveliness indebted to Commercial function*
Case studies are the cities of Marrakesh and Meknes</ArticleTitle>
<VernacularTitle>Public spaces liveliness indebted to Commercial function*
Case studies are the cities of Marrakesh and Meknes</VernacularTitle>
			<FirstPage>13</FirstPage>
			<LastPage>20</LastPage>
			<ELocationID EIdType="pii">67356</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67356</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Seyedeh Fatemeh</FirstName>
					<LastName>Mardani</LastName>
<Affiliation>M.A. in Architecture</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract>Public space is a place for amusement and passing leisure time, accessible to all at all times, and a place to initiate social interactions. A lively urban space contains the presence of considerable number of people in most of the day; So people should be able to come voluntarily, stay, spend leisure time and socially interact with others.Contrary to Europe, public spaces in Moroccan cities have similarities with street fairs in Iranian cities. Field research about public spaces in Moroccan cities, arises these questions: what is thriving of Moroccan public spaces depended on? Is the importance of public spaces depended on physical factors, beauty of appearance, ease of access and the level of openness in area or the activities taking place there? Does removing the commercial function results in the death of the spaces? The study ahead, a product of observation and analysis based on field observations, attends to the major part of the commercial units in the definition of city public spaces and their liveliness.it seems that Moroccan social lifestyle has a major influence on the definition of city spaces including public spaces. Despite the presence of numerous tourists in Morocco, especially Europeans, natives have been adhere to values of their past and their public spaces has still preserved their traditional structure. The result of observing several of public spaces is that prosperity, success and liveliness of the public spaces in Morocco is mainly depended on activities (commercial) and not form. Confounding land-use in city space provides the possibility of wide range of simultaneously activities, and attracts more people. On one hand, the presence of an active crowd in a space results in strengthening the sense of security and on the other hand, it makes the space, a place with originality and identity which people can feel more belonging to. Eventually this comes to liveliness of the public spaces and more prosperity. It is important to pay attention to the course of forming and the activities of public spaces in the historical textures of Moroccan cities; because it is a pattern for reviving the present cases and also, designing and building contemporary ones of that nation and even similar historical textures like Iran. Recognition and utilization of native patterns, present in reproduction of lively collective arenas and preserving the identity of cities justifies the necessity of proceeding with the following study.&lt;br /&gt;Theory:&lt;br /&gt;The success of Moroccan public space which forms with creation of openness in the city’s shape, depends on the presence of commercial units, specially retail sales and results in active presence of people in those spaces. The present study looks to prove the theory that plurality of land-uses and activities in public spaces, especially commercial function and buy-sell activity, results in liveliness and prosperity of public spaces in historical textures of the cities.</Abstract>
			<OtherAbstract Language="FA">Public space is a place for amusement and passing leisure time, accessible to all at all times, and a place to initiate social interactions. A lively urban space contains the presence of considerable number of people in most of the day; So people should be able to come voluntarily, stay, spend leisure time and socially interact with others.Contrary to Europe, public spaces in Moroccan cities have similarities with street fairs in Iranian cities. Field research about public spaces in Moroccan cities, arises these questions: what is thriving of Moroccan public spaces depended on? Is the importance of public spaces depended on physical factors, beauty of appearance, ease of access and the level of openness in area or the activities taking place there? Does removing the commercial function results in the death of the spaces? The study ahead, a product of observation and analysis based on field observations, attends to the major part of the commercial units in the definition of city public spaces and their liveliness.it seems that Moroccan social lifestyle has a major influence on the definition of city spaces including public spaces. Despite the presence of numerous tourists in Morocco, especially Europeans, natives have been adhere to values of their past and their public spaces has still preserved their traditional structure. The result of observing several of public spaces is that prosperity, success and liveliness of the public spaces in Morocco is mainly depended on activities (commercial) and not form. Confounding land-use in city space provides the possibility of wide range of simultaneously activities, and attracts more people. On one hand, the presence of an active crowd in a space results in strengthening the sense of security and on the other hand, it makes the space, a place with originality and identity which people can feel more belonging to. Eventually this comes to liveliness of the public spaces and more prosperity. It is important to pay attention to the course of forming and the activities of public spaces in the historical textures of Moroccan cities; because it is a pattern for reviving the present cases and also, designing and building contemporary ones of that nation and even similar historical textures like Iran. Recognition and utilization of native patterns, present in reproduction of lively collective arenas and preserving the identity of cities justifies the necessity of proceeding with the following study.&lt;br /&gt;Theory:&lt;br /&gt;The success of Moroccan public space which forms with creation of openness in the city’s shape, depends on the presence of commercial units, specially retail sales and results in active presence of people in those spaces. The present study looks to prove the theory that plurality of land-uses and activities in public spaces, especially commercial function and buy-sell activity, results in liveliness and prosperity of public spaces in historical textures of the cities.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Public space</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Liveliness</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Sense of belonging</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">confounding land-use</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Commercial function</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67356_2f96a6bd87ff056fa63b286cb3899f30.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The presence of the tree in Morocco</ArticleTitle>
<VernacularTitle>The presence of the tree in Morocco</VernacularTitle>
			<FirstPage>21</FirstPage>
			<LastPage>30</LastPage>
			<ELocationID EIdType="pii">67357</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67357</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Reyhaneh</FirstName>
					<LastName>Hojjati</LastName>
<Affiliation>M.A. in landscape Architecture</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract></Abstract>
			<OtherAbstract Language="FA"></OtherAbstract>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67357_78cc023ff7fd28abfdd2580956ed889c.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Revitalize the historic texture of the city of Fas, with the priority of preserving its native landscape</ArticleTitle>
<VernacularTitle>Revitalize the historic texture of the city of Fas, with the priority of preserving its native landscape</VernacularTitle>
			<FirstPage>31</FirstPage>
			<LastPage>36</LastPage>
			<ELocationID EIdType="pii">67358</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67358</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Nayereh S</FirstName>
					<LastName>Alaei</LastName>
<Affiliation>M.A. in City Planning</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract></Abstract>
			<OtherAbstract Language="FA"></OtherAbstract>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67358_178f8498ed2dad1be50f01511cf9f791.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Planning Public Place Management in Jemaa el-Fna Based on Urban Landscape Components</ArticleTitle>
<VernacularTitle>Planning Public Place Management in Jemaa el-Fna Based on Urban Landscape Components</VernacularTitle>
			<FirstPage>37</FirstPage>
			<LastPage>42</LastPage>
			<ELocationID EIdType="pii">67360</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67360</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Leila</FirstName>
					<LastName>Soltani</LastName>
<Affiliation>Ph.D in Urban Design</Affiliation>

</Author>
<Author>
					<FirstName>Alireza</FirstName>
					<LastName>Siavoshi</LastName>
<Affiliation>MA. in Architecture</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract></Abstract>
			<OtherAbstract Language="FA"></OtherAbstract>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67360_e5354303618889cc0419ecdc40732b25.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Nazar Research Center</PublisherName>
				<JournalTitle>Journal of Art and Civilization of the Orient</JournalTitle>
				<Issn>2345-6612</Issn>
				<Volume>6</Volume>
				<Issue>20</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Native aesthetics of plant presence in Moroccan architecture</ArticleTitle>
<VernacularTitle>Native aesthetics of plant presence in Moroccan architecture</VernacularTitle>
			<FirstPage>43</FirstPage>
			<LastPage>54</LastPage>
			<ELocationID EIdType="pii">67361</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jaco.2018.67361</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Mohammad</FirstName>
					<LastName>Jamshidiyan</LastName>
<Affiliation>M.A. in landscape architecture</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2018</Year>
					<Month>08</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract></Abstract>
			<OtherAbstract Language="FA"></OtherAbstract>
<ArchiveCopySource DocType="pdf">http://www.jaco-sj.com/article_67361_b85336cace4c53e01ab82c97652dbcf0.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
