Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 A Transforming Cinema The Role of Intellect and Intuition in the Production and Interpretation of Poetic Movies A Transforming Cinema The Role of Intellect and Intuition in the Production and Interpretation of Poetic Movies 3 10 16440 FA Farshad Fereshte Hekmat Journal Article 2016 07 24 Cinema is considered to be a dream inducer art, one which redefines the relation between the mental and the concrete, between the real and the imaginary. It relates the reproduction of human life, whether as a narrative or a documentary, and interwoven with the director’s worldview. Among all cinematic genres, poetic movies excite the most the mind of the audience and train the most their imagination power. Poetic movies entail a dreamy view and reproduce a different and specific world from the real world. From this perspective, watching a poetic movie is no different from participating in a ritual, one which invites the viewer to join the director in the experience of the reproduction of the work of art. Norm deviation and de familiarization in this cinematic genre creates a temple-like and mythical space in the mind of the viewer from a psychological perspective and helps engender a novel and ideal universe in their dream land. This springs from the director’s intuitive conceptualizations about life and the universe which incessantly poses questions and incites the audience to make interpretations. This is a thought-provoking cinema which explores the entity of reality and leaves the audience with the task of exploring the nature of reality. The world of dream, legends, myths, and rituals represents an apt source of illumination for poetic films. Cinema is considered to be a dream inducer art, one which redefines the relation between the mental and the concrete, between the real and the imaginary. It relates the reproduction of human life, whether as a narrative or a documentary, and interwoven with the director’s worldview. Among all cinematic genres, poetic movies excite the most the mind of the audience and train the most their imagination power. Poetic movies entail a dreamy view and reproduce a different and specific world from the real world. From this perspective, watching a poetic movie is no different from participating in a ritual, one which invites the viewer to join the director in the experience of the reproduction of the work of art. Norm deviation and de familiarization in this cinematic genre creates a temple-like and mythical space in the mind of the viewer from a psychological perspective and helps engender a novel and ideal universe in their dream land. This springs from the director’s intuitive conceptualizations about life and the universe which incessantly poses questions and incites the audience to make interpretations. This is a thought-provoking cinema which explores the entity of reality and leaves the audience with the task of exploring the nature of reality. The world of dream, legends, myths, and rituals represents an apt source of illumination for poetic films.

http://www.jaco-sj.com/article_16440_7337bc5b4a00fa2ee237cf50a57b288d.pdf

Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 Over viewing Plan and Decorating the Tomb of Arsalan Jazeb and Mill Ayaz during Ghaznavi Over viewing Plan and Decorating the Tomb of Arsalan Jazeb and Mill Ayaz during Ghaznavi 11 24 40821 FA Journal Article 2015 12 15 There is a four-arched tomb with a dome over and brick minaret at a distance of one kilometer from the village. Mentioned tomb is belonged to Arsalan Jazeb and Toos governor at the time of Sultan Mahmoud Ghaznavi and minarets is known as Mill Ayaz (Turkish slaves of Sultan Mahmoud Ghaznavi). In the current study to better understanding of architecture and art of Ghaznavi period, which is the background and origins of Seljuk architecture, architectural details and decoration of mentioned tombs and minarets has been examined. In this regard, in addition to review of existing inscriptions that much of them has been destroyed, for the first time the text scrolls and decorations, including brick decorations, stucco and painting, have been conducted with full details of reconstruction during a comparative study. Revision of the tomb and minarets plan is one of the research’s achievements. Arsalan Jazeb tomb unlike its original position has been introduced as individual materials so far in all existing sources. While regarding the studies and observations of the research ,the relationship between tomb and building adjacent is chamber mosque and minaret and two courtyards building are obvious and inalienable. Information was collected library studies and field observations and obtained results have been conducted through study, data analysis and comparative studies. There is a four-arched tomb with a dome over and brick minaret at a distance of one kilometer from the village. Mentioned tomb is belonged to Arsalan Jazeb and Toos governor at the time of Sultan Mahmoud Ghaznavi and minarets is known as Mill Ayaz (Turkish slaves of Sultan Mahmoud Ghaznavi). In the current study to better understanding of architecture and art of Ghaznavi period, which is the background and origins of Seljuk architecture, architectural details and decoration of mentioned tombs and minarets has been examined. In this regard, in addition to review of existing inscriptions that much of them has been destroyed, for the first time the text scrolls and decorations, including brick decorations, stucco and painting, have been conducted with full details of reconstruction during a comparative study. Revision of the tomb and minarets plan is one of the research’s achievements. Arsalan Jazeb tomb unlike its original position has been introduced as individual materials so far in all existing sources. While regarding the studies and observations of the research ,the relationship between tomb and building adjacent is chamber mosque and minaret and two courtyards building are obvious and inalienable. Information was collected library studies and field observations and obtained results have been conducted through study, data analysis and comparative studies.

http://www.jaco-sj.com/article_40821_b3d72af547b23265305eda666dd749f9.pdf

Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 A comparative Study of Decoration and its Materials of India and Iran ancient Mosque Minaret A comparative Study of Decoration and its Materials of India and Iran ancient Mosque Minaret 25 32 16442 FA Maryam Ghandeharioon Journal Article 2016 07 24 Decorative motifs in art of different nations, sometimes present complex, sophisticated and elegant, sometimes simple and hypothyroidism, with different quality, quantity and materials, in different configurations and they are searchable in the form of animal, human, plant, geometric, abstract, lines Decorative lines. In the Islamic era decorative motifs and their composition had a particular place and because of the prohibited images of human and animal, geometric and plant motifs, had tremendous growth and diversity, and shows in various art works such as architecture, book designing, pottery, metalworking, weaving and… Architectural decorations, especially the mosques of the Islamic period are the most striking decorative effects which include: the minaret, dome, entrance, porch and… .Each of these elements has certain aspects that are usually regional features offered in various Islamic lands and obviously, the effects of adjacent areas causing compositional arts. So the native decorations imported elements combine to form a new mode. India, the Islamic era, came under the influence of Iran, decorated in a combination of Iranian Hindi, has created a special style. This article wants a comparative study of ancient mosque minarets1 decorations India and Iran, which has historically been so similar that it will answer the research question. Are Islamic minarets decorations India and Iran local authenticity? Because the two neighboring lands and exchanges have been together, whether this communication would have been redeploying each other lands? Hypothesis, based upon which much of the decorative pattern on mosque minarets and materials in ancient India - Iran's local patterns. Methodology: Comparative and inductive based on library information and objective observations. Examples of mosque minarets in India (the Qovatoleslam mosque, the Ahmadabad Jama Mosque) with three examples of Iran (the Saveh mosque, the GoharShad Mosque and the Isfahan Jama Mosque) were compared and evaluated. The final result shows that ornamentation, motifs and materials in both lands, where Indigenous and local which gradually changed under the influence of Islamic beliefs. Decorative motifs in art of different nations, sometimes present complex, sophisticated and elegant, sometimes simple and hypothyroidism, with different quality, quantity and materials, in different configurations and they are searchable in the form of animal, human, plant, geometric, abstract, lines Decorative lines. In the Islamic era decorative motifs and their composition had a particular place and because of the prohibited images of human and animal, geometric and plant motifs, had tremendous growth and diversity, and shows in various art works such as architecture, book designing, pottery, metalworking, weaving and… Architectural decorations, especially the mosques of the Islamic period are the most striking decorative effects which include: the minaret, dome, entrance, porch and… .Each of these elements has certain aspects that are usually regional features offered in various Islamic lands and obviously, the effects of adjacent areas causing compositional arts. So the native decorations imported elements combine to form a new mode. India, the Islamic era, came under the influence of Iran, decorated in a combination of Iranian Hindi, has created a special style. This article wants a comparative study of ancient mosque minarets1 decorations India and Iran, which has historically been so similar that it will answer the research question. Are Islamic minarets decorations India and Iran local authenticity? Because the two neighboring lands and exchanges have been together, whether this communication would have been redeploying each other lands? Hypothesis, based upon which much of the decorative pattern on mosque minarets and materials in ancient India - Iran's local patterns. Methodology: Comparative and inductive based on library information and objective observations. Examples of mosque minarets in India (the Qovatoleslam mosque, the Ahmadabad Jama Mosque) with three examples of Iran (the Saveh mosque, the GoharShad Mosque and the Isfahan Jama Mosque) were compared and evaluated. The final result shows that ornamentation, motifs and materials in both lands, where Indigenous and local which gradually changed under the influence of Islamic beliefs.

http://www.jaco-sj.com/article_16442_cd3b6e78242b4c8faa986194ba2bfc58.pdf

Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 India’s Solution to Empowerment: Hot Money or cold money India’s Solution to Empowerment: Hot Money or cold money 33 42 16443 FA Keivan Khaliji Journal Article 2016 07 24 The growing urban population in India following the economic progress made in recent decades has drown attention towards slum dwellings and the expansion of the problematic urban fabrics as an important urban management issue in India. Although all developing countries are suffering from this terrible problem, but in this respect Indians rank second in the world. On the other hand, high population of people living in these textures makes it difficult to benefit from financial interventions of China and Turkey because of fund supplying problems in the process of improving conditions in urban areas. However, the complexity and extensiveness of the problem had not made Indians adopt a passive approach towards these fabrics. On the contrary, using their own model, they have managed to improve and upgrade the residential areas including a population of about 60 million people (equal to the population of Iran in 1375) within 10 years. The current study attempts to shed light on how the urban management system in India empowers the slum settlers instead of using expatriate financial resources, and thereby renovates the urban fabrics through partnership. The research hypothesis is that the experience of India in general and urban management in particular, pursue the improvement of these texures by increasing the abilities of residents (training of skills) or increasing production capacity and the capability of hot money management. This model is less reliant on cold monies such as low-interest loans or government grants.To prove this hypothesis, the descriptive-analytical method is used to express the experience of Ahmadabad city and the community-based organizations of it, through collecting documents and doing field studies. The growing urban population in India following the economic progress made in recent decades has drown attention towards slum dwellings and the expansion of the problematic urban fabrics as an important urban management issue in India. Although all developing countries are suffering from this terrible problem, but in this respect Indians rank second in the world. On the other hand, high population of people living in these textures makes it difficult to benefit from financial interventions of China and Turkey because of fund supplying problems in the process of improving conditions in urban areas. However, the complexity and extensiveness of the problem had not made Indians adopt a passive approach towards these fabrics. On the contrary, using their own model, they have managed to improve and upgrade the residential areas including a population of about 60 million people (equal to the population of Iran in 1375) within 10 years. The current study attempts to shed light on how the urban management system in India empowers the slum settlers instead of using expatriate financial resources, and thereby renovates the urban fabrics through partnership. The research hypothesis is that the experience of India in general and urban management in particular, pursue the improvement of these texures by increasing the abilities of residents (training of skills) or increasing production capacity and the capability of hot money management. This model is less reliant on cold monies such as low-interest loans or government grants.To prove this hypothesis, the descriptive-analytical method is used to express the experience of Ahmadabad city and the community-based organizations of it, through collecting documents and doing field studies.

http://www.jaco-sj.com/article_16443_32926f6c2eba28e293a6afa008a09f0a.pdf

Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 The Presence of Civilians in the Contemporary City The Presence of Civilians in the Contemporary City 43 50 16444 FA Atie Farahani Fard Arezoo Shirdast Journal Article 2016 07 24 Newly constructed cities or new towns, like the new model in modern urban planning have great importance and until now different countries including India have used this model in urban planning with various motives and in various forms. Landscape and public spaces design has been the basic concern of landscape architects and urban designers. Landscape can strengthen the city's cohesion and Cause environmental sustainability and readability. Public space is a social space which makes sense in line with the objectives of human and aesthetic principles. The present article aims to study Indian new towns and focuses on public spaces in these cities to review their weaknesses and continuing changes. Also, by examining, analyzing and comparing the samples we answer the question: “what are the cause of the failure and the lack of opportunities for social interaction in some of these public spaces? Which deficiencies have made people to change these public spaces?” This article studies new towns using library documents, written and internet sources and articles related to the samples. Also, this model is analyzed using field studies. Newly constructed cities or new towns, like the new model in modern urban planning have great importance and until now different countries including India have used this model in urban planning with various motives and in various forms. Landscape and public spaces design has been the basic concern of landscape architects and urban designers. Landscape can strengthen the city's cohesion and Cause environmental sustainability and readability. Public space is a social space which makes sense in line with the objectives of human and aesthetic principles. The present article aims to study Indian new towns and focuses on public spaces in these cities to review their weaknesses and continuing changes. Also, by examining, analyzing and comparing the samples we answer the question: “what are the cause of the failure and the lack of opportunities for social interaction in some of these public spaces? Which deficiencies have made people to change these public spaces?” This article studies new towns using library documents, written and internet sources and articles related to the samples. Also, this model is analyzed using field studies.

http://www.jaco-sj.com/article_16444_83972220c2352bdcf6dbc17c327c1b4a.pdf

Nazar Research Center Journal of Art and Civilization of the Orient 2345-6612 3 9 2015 09 23 Outdoor Advertising Manifestations for Reading the Appearance of India Cities’ Landscape Outdoor Advertising Manifestations for Reading the Appearance of India Cities’ Landscape 51 58 16445 FA Abdollah Kheiri Motlagh Journal Article 2016 07 24 India, because of its size, population, history and composition of different ethnic and religious groups and strategic position, apart from its political, cultural, social, religious, and economic special position, has a particular economic significance. As a result, advertising in general and outdoor advertising, in particular, is widely seen in urban areas. In today's world, outdoor advertising is largely present in urban areas due to conjoining with all the needs of society, i.e. the economy, politics, religion, culture, religion, and dominant values. It is an aspect of reading, outdoor manifestations in that the society. Indian cities are no exception to this fact, so that some emphasis and reflection can reveal manifestations of urban landscape behind outdoor advertising. The present study is aimed to investigate the content and form of outdoor advertising Indian cities in order to read the characteristics of Indian society and manifestations of these advertisements. Outdoor advertising in Indian cities is in accordance with social, economic, cultural, and political structures of life of Indian people in terms of form and structure. However, in terms of content, it does not match the Indian people’s needs, economic conditions, and social classes. Respond to the following questions can better explain the aforementioned idea: 1. What manifestations do Indian cities’ outdoor advertising content and form have with regard to the following cases? • Outdoor advertising and structure of cities in terms of urban furniture and its compliance with or contrast to the environment • Outdoor advertising and social structure of Indian cities in terms of social classes of people in cities and its compliance with or contrast to the environment • Outdoor advertising and religious structure in terms of diversity of religions and beliefs of people and its compliance with and contrasts to these beliefs • Outdoor advertising and political structure in terms of the diversity of parties, views and property to foreign countries and its compliance with and contrast to politicians willingly to the people 2. What outdoor manifestations do outdoor advertising have in different cities of India with regard to the economic, political and religious structure and position of these cities? Through field observations and library studies, we will investigate and analyze the presence form and content of outdoor advertising in three Indian cities with political, economic and religious features, and finally we will discover manifestations of outdoor advertising in India through the obtained reviews and tables. India, because of its size, population, history and composition of different ethnic and religious groups and strategic position, apart from its political, cultural, social, religious, and economic special position, has a particular economic significance. As a result, advertising in general and outdoor advertising, in particular, is widely seen in urban areas. In today's world, outdoor advertising is largely present in urban areas due to conjoining with all the needs of society, i.e. the economy, politics, religion, culture, religion, and dominant values. It is an aspect of reading, outdoor manifestations in that the society. Indian cities are no exception to this fact, so that some emphasis and reflection can reveal manifestations of urban landscape behind outdoor advertising. The present study is aimed to investigate the content and form of outdoor advertising Indian cities in order to read the characteristics of Indian society and manifestations of these advertisements. Outdoor advertising in Indian cities is in accordance with social, economic, cultural, and political structures of life of Indian people in terms of form and structure. However, in terms of content, it does not match the Indian people’s needs, economic conditions, and social classes. Respond to the following questions can better explain the aforementioned idea: 1. What manifestations do Indian cities’ outdoor advertising content and form have with regard to the following cases? • Outdoor advertising and structure of cities in terms of urban furniture and its compliance with or contrast to the environment • Outdoor advertising and social structure of Indian cities in terms of social classes of people in cities and its compliance with or contrast to the environment • Outdoor advertising and religious structure in terms of diversity of religions and beliefs of people and its compliance with and contrasts to these beliefs • Outdoor advertising and political structure in terms of the diversity of parties, views and property to foreign countries and its compliance with and contrast to politicians willingly to the people 2. What outdoor manifestations do outdoor advertising have in different cities of India with regard to the economic, political and religious structure and position of these cities? Through field observations and library studies, we will investigate and analyze the presence form and content of outdoor advertising in three Indian cities with political, economic and religious features, and finally we will discover manifestations of outdoor advertising in India through the obtained reviews and tables.

http://www.jaco-sj.com/article_16445_dc33e31c39c141adff52d67a0718b867.pdf