• Abbasi, A. (2014). Revayatshenasi Karbordi [Practical narratology]. Shahid Beheshti University. [In Persian].
• Adamova, A. T., & Giuzal’ian, L. T. (2004). The paintings of the Shahnama (Book of Kings) (Z. Feizi, Trans.; 1st ed.). Ministry of Culture & Islamic Guidance. (Original work published 1985). http://machiani.iranlibs.ir/dL/search/default.aspx?Term=294&Field=0&DTC=121
• Bayat, S., & Mesbah, B. (2023). Analysis of the narrative structure in the text and drawing of Timur’s war with Mahmood, the governor of India, based on Greimas’ action pattern. Fine Arts: Visual Arts, 3(28), 41–51. https://doi.org/10.22059/jfava.2023.353287.667030
• Berger, A. A. (2001). Narratives in popular culture, media, and everyday life (M. Lirawi, Trans.). Soroush. (Original work published 1996).
• Canby, S. (2012). Persian painting (M. Hosseini, Trans.). University of Art. (Original work published 1993)
• Canby, S. (Ed.). (2014). The Shahnama of Shah Tahmasp: The Persian Book of Kings. Metropolitan Museum of Art.
• Ferdowsi, A. (1996). Shahnameh (J. Mohl, Trans.). Elmifarhangi.
• Ghaemi, F., & Yahaghi, M. J. (2009). Horse: The most frequent symbolic animal in the Shahnameh and its role in the model of heroism. Literary Text Research, 42(13), 9–26. https://sid.ir/paper/90946/fa
• Grabar, O. (2011). Mostly miniatures: An introduction to Persian painting (M. Vahdati Daneshmand, Trans.). Matn-e Hunar. (Original work published 2000)
• Hall, J. (2013). Illustrated dictionary of symbols in Eastern and Western art (R. Behzadi, Trans.; 6th ed.). Farhang Moaser. (Original work published 1994)
Hosseini, M. (2011). Qarajaghay Khan Shahnama. Fine Arts: Visual Arts, 3(45), 13–21. https://dor.isc.ac/dor/20.1001.1.22286039.1390.3.45.2.9
• Martin, W. (2003). Recent theories of narrative (M. Shahba, Trans.). Hermes. (Original work published 1986).
• Makaryk, I. (2011). Encyclopedia of contemporary literary theory (M. Mohajer & M. Nabavi, Trans.; 4th ed.). Agah. (Original work published 1993)
• Mousavi Lar, A. S., & Mesbah, G. (2011). Analyzing the narrative structure of “The Death of Zahhak”: A Persian painting according to Greimas’s actantial model. Journal of Fine Arts: Visual Arts, 3(45), 23–34. https://jfava.ut.ac.ir/article_23315.html?lang=en
• Nabiloo, A. (2012). Investigation of the narrative structure of Haft Khane Rostam. Researches in Mystical Literature (Gawhar-i Guya), 5(4), 93–118. https://sid.ir/paper/123702/en
• Pakbaz, R. (2011). Iranian painting from long ago until today. Zarrinosimin.
• Pakbaz, R. (2016). Encyclopedia of art. Farhang Moaser.
• Rakhimova, Z. I., & Poliakova, E. A. (2002). Miniatiura i literatura vostoka: Evoliutsiia obraza cheloveka (Z. Feizi, Trans.). Rowzaneh.
• Robinson, B. W., Sims, E., & Bayani, M. (2007). The Windsor Shahnama of 1648. Azimuth Editions for the Roxburghe Club.
• Zafari Naeini, S., Rahmani, J., & Jokar, J. (2016). Hermeneutical analysis of Master Jazizade’s painting through Hirsch’s approach. Theoretical Principles of Visual Arts, 2(1), 5–22. https://doi.org/10.22051/jtpva.2017.3968